Monday, January 25, 2010

CAMBRIA DREAM


(Click to enlarge)

Took this shot a few months ago in Cambria, one of my favorite little towns along the Central Coast. It was a romantic getaway...and while the romance got away, this image endures. Adding a meaningful quote and some subtle journaling enabled me to encapsulate the memory in an evocative way. Translating life's experiences into art is organic, authentic, and cathartic.

This type of photo fusion using digital layers, including textures and masks, will be the subject of one of my upcoming video workshops.

Friday, January 22, 2010

PHOTO L.A.



Went to Photo LA last Sunday and had a chance to catch up with some of my favorite photographers' newest work. Foremost among them is Brigitte Carnachon, whose sensuous handpainted images of flowers and nudes have long held me sway. Her latest body of work, "Floating World," is equally mesmerizing with a romantic, mysterious quality of time gone by. Inspired by poems written by Japanese women throughout the ages (and whose names are calligraphed in red), each image is a testament to the beauty of the natural world.

This is my idea of photo fusion at its most subtle yet most powerful.

(Ms. Carnachon's photographs are available through Kevin Longino, a private dealer specializing in contemporary photography.)

Wednesday, January 20, 2010

HAPPY BIRTHDAY PART 2

And here she is today...my darlin' daughter (and my favorite model)!


HAPPY BIRTHDAY, ERIN!

In honor of my daughter's birthday today, I thought I'd share a photo taken of me and my husband back in the day by our good friend Reed Fenton. Yep, we had lots of hair...as did Erin when she was born!  I won't tell you the date, but let's just say it was long before Cindy Crawford and Demi Moore graced the covers of Vanity Fair!


GOOD FOR A LAUGH - ENJOY!

In one of my former lives I was a court reporter...mostly personal injury deposition work. When someone is involved in an accident, they're asked to describe what happened in as few words as possible on the insurance accident form. The following quotes were taken from these forms and were eventually published in the Toronto Sun newspaper:

"The pedestrian hit me and went under my car."

"In my attempt to kill a fly, I drove into a telephone pole."

"I had been driving in my car for forty years when I fell asleep at the wheel and had an accident."

"I was sure the old fellow would never make it to the other side of the roadway when I struck him."

"The pedestrian had no idea which direction to go, so I ran over him."

"I saw the slow-moving, sad-faced old gentleman as he bounced off the hood of my car."

"The telephone pole was approaching fast and I was attempting to swerve out of its path when it struck my front end."

"The other car collided with mine without giving warning of its intentions."

"I was thrown from my car as it left the road. I was later found in a ditch by some stray cows."

"The guy was all over the road; I had to swerve a number of times before I hit him."

"Coming home, I drove into the wrong house and collided with a tree I don't have."

"I pulled away from the side of the road, glanced at my mother-in-law, and headed over the embankment."

And my favorite:  "An invisible car came out of nowhere, struck my vehicle, and vanished."

I hate it when that happens!

Monday, January 18, 2010

PHOTO FOLIOS


Indulge your love for photography, alternative processes, and handmade or decorative papers...create mini folios and fill them with a collection of some of your favorite images transferred onto watercolor paper. Give them as gifts, sell them at craft fairs, or set up an online shop at Etsy.com.

Mine are Polaroid image transfers, but you can use Bonny Lhotka's alcohol gel transfer process, or just print your images on a nice toothy fine art digital paper like Somerset Velvet or Museo II...maybe tearing them against the edge of a ruler instead of cutting them to add the look of a deckled edge.

If you'd like detailed instructions for making the folio, say the word and I'll send them to you!

Friday, January 15, 2010

DESERT SYMMETRY

Just got back from the desert...went to Joshua Tree with good friends and fellow photogs  Jeanne and Steve Gadol. Although I love the soft neutral tones of the desert palette and the stark landscape, I just couldn't seem to find "my shot." Then I remembered a lesson from my photographer teacher Bob Ware at Santa Monica College way back when...he had us choose a 10-foot square area, anywhere, and shoot an entire roll of film there, making each shot count.  It forced us to really see, not just look, and to use concepts of composition and depth-of-field to each shot's best advantage.